Analyze from a musically and also cultural (but mostly musical) Cal Tjader’s “Soul Sauce”. Also, since the album have 9 tracks, I decided to concentrate in two songs for the musical content. “Guachi Guaro”. &. “Afro Blue” (Tracks 1 & 2).

Analyze rhythm patterns per instrument, main melody, as well as vibe solo by Cal. Dont be too specific for percussion instruments, Thats something I can expand.

If possible, please feel free to use (find) any source from the above list of bibliography. Thanks..

Benítez-Rojo, Antonio, and James Maraniss. “The Role of Music in the Emergence of Afro-Cuban Culture.” Research in African Literatures 29, (1998): 179–84.

Berendt, Joachim-Ernst, Günther Huesmann, H. Bredigkeit, and B. Bredigkeit. The Jazz Book from Ragtime to the 21st Century 7th ed. Chicago: Lawrence Hill Books, 2009.

Blumenfield, Larry. 2008. “Cultural Conversation: Arturro O”Farrill, the Son Also Rises—And Embraces His Musical Roots.”, accessed October 18, 2021.

Borge, Jason. Tropical Riffs: Latin America and the Politics of Jazz. Durham: Duke University Press, 2018.

Delannoy, Luc. Caliente! Una Historia de Latin Jazz. Mexico: Fondo de Cultura Económica, 2001.

De Ulloa, Martha Tupinamba. “Southern Streams: Some Thoughts about Musicology and Popular Music Studies in Latin America.” Latin American Music Review / Revista de Música Latinoamericana 38, no. 1 (2017): 83–105

Duncan, Reid. Cal Tjader: The Life and Recordings of the Man Who Revolutionized Latin Jazz. Jefferson: McFarland & Company, 2013.

Fernandez, Raul A. “Drumming in Cuban.” In From Afro-Cuban Rhythms to Latin Jazz, 83–98. Berkeley: University of California Press, 2006

Fernandez, Raul A. “Lords of the Tambor.” In From Afro-Cuban Rhythms to Latin Jazz, 99–128. Berkeley: University of California Press, 2006.

Garcia, David. Arsenio Rodríguez and the Transnational Flows of Latin Popular Music. Philadelphia: Temple University Press, 2006.

Gioia, Ted. West Coast Jazz: Modern Jazz. New York: Oxford University Press, 1992.

Havers, Richard. Verve: The Sound of America. New York: Thames and Hudson Inc., 2013

Jeff Place. “Arhoolie Records.” Smithsonian Folkways Recordings, accessed October 18, 2021.

Jeffri, Joan. 2002. “Changing the Beat: A Study of the Worklife of Jazz Musicians.” , accessed October 18, 2021.

Kirchner, Bill. The Oxford Companion to Jazz Oxford ;: Oxford University Press, 2000.

Kubik, Gerhard. “The African Matrix in Jazz Harmonic Practices.” Black Music Research Journal 25, nos. 1-2 (2005): 167–222.

Lyons, Leonard. Jazz Portraits: The Live and Music of the Essential Jazz Musicians. New York: William Morrow and Company, 1989.

Marisol Berrios-Miranda et al., “Creando y Compartiendo ‘Música Latina en Estados Unidos, Años 1940–1950.” In American Sabor: Latinos and Latinas in US Popular Music / Latinos y Latinas En La Música Popular Estadounidense, 48–99. Seattle: University of Washington Press, 2018.

Miller, Herbie. 2007. “Syncopated Rhythms: Jazz and Caribbean Culture.” Jazz Studies Online., accessed October 18, 2021.

Nava, Alejandro. “Afro-Latin Soul and Hip-Hop.” In In Search of Soul: Hip-Hop, Literature, and Religion, 204–34. Berkley: University of California Press, 2017.

Porter, Eric. What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists. Berkeley: University of California Press, 2002.

Porter, Lewis, Michael Ullman, and Ed. Hazell. Jazz: from Its Origins to the Present Englewood Cliffs: Prentice Hall, 1993.

Rollins, Ian. “Cal Tjader: A Fusion Pioneer”. Percussive Notes. 44 (6): 10-13 2006

Rollins, Ian. “Ritmo Caliente: Breaking 1950s Dichotomies and Cal Tjader’s “Latin Jazz.” PhD diss., Lubbock: Texas Tech University, 2009.

Rouse, Don. “New Orleans Jazz and Caribbean Music.” , accessed October 18, 2021.]

Santamaria, Mongo. LA Bamba. Recorded 1965. Columbia CS2375.

Santamaria, Mongo. Watermelon Man!. Battle BS-96120.

Stewart, Earl L. “African American Music: An Introduction”. New York: Schirmer Books, 1998.

Thomas, Benjamin. “The Development of Cal Tjader’s Latin Jazz Vibraphone Style”. PhD diss., Washington: University of Washington, 2007.

Tjader, Cal. Here and There. Recorded 1976-77. Fantasy FCD-24743-2. CD.

Tjader, Cal. San Francisco Moods. Recorded 1958. Fantasy F-8017.

Tjader, Cal. Soul Sauce. Recorded 1965. Verve V6-8614.

Tjader, Cal. Tjader Plays Mambo. Recorded 1956. Fantasy F-3221.

Tjader, Cal, “Wachi Wara,” transcriiption

Veit, Andrew Gregory. “Developing a Curriculum for the Study of Jazz Vibraphone Available through the Online Community, the Viberworkshop.Com”. PhD, diss., Iowa City: University of Iowa, 2016.

Washburne, Christopher. Latin Jazz: The Other Jazz. New York: Oxford University Press, 2020.

Washburne, Christopher. “The Clave of Jazz: A Caribbean Contribution to the Rhythmic Foundation of an African-American Music.” Black Music Research Journal 17, (1997): 59–80.

Order your essay today and save 30% with the discount code ESSAYSHELP